Rahao (ਰਹਾਉ) marks a refrain or pause within a Gurbani composition. Readers often return to that line when considering the shabad’s central theme. It is a structural cue, not a word to include in the translation of the surrounding verse.
Rahao (ਰਹਾਉ) marks a refrain or pause within a Gurbani composition. Readers often return to that line when considering the shabad’s central theme. It is a structural cue, not a word to include in the translation of the surrounding verse.
